This piece was ordered by a sugar factory that was closing and wanted to do an exhibit on its history. The artist went to visit it and, struck by the molasses-covered walls, had an idea for the piece, entitled "Subtlety or the Marvelous Sugar Baby", with a long subtitle uncovering the history of it.
Let's explain the title, back during the XIXth century, Europeans enjoyed putting "subtleties" on their tables, which were little sculptures made of sugar. Of course, that's the central part, the big sphinx. It's actually polystyrene covered in white sugar -since, for sugar at least, white = refined and that was the only acceptable option back then-. Of course, here, it's far from little; it represents a slave working there, the size fits the importance of the role in the whole sugar industry back then. The sphinx had an important role as guardian in the Egyptian sculpture, and this position was picked because it allowed the artist to show someone fierce and firmly seated...
...and yet the back of the statue is up, showing her genitals to remind the visitors of the sexual violence that also came with slavery. You can also notice her face is very stereotyped; this is because, as the concept of the subtlety indicates, Kara Walker wanted to show the Afro-American woman as she was perceived by the end customers of the product: the popular image was that of a "mammy", happy nanny with her scarf around her neck, like aunt Jemima. What absolutely gets me about this piece, is the kids around, carrying their heavy baskets. They're made of resin, covered in molasses. With the heat, they melt and crumble in direct time in front of the visitors, illustrating the pain and waste of young lives that shouldn't be forgotten. She's definitely not sugarcoating it! (sorry for that pun I had to)
Let's explain the title, back during the XIXth century, Europeans enjoyed putting "subtleties" on their tables, which were little sculptures made of sugar. Of course, that's the central part, the big sphinx. It's actually polystyrene covered in white sugar -since, for sugar at least, white = refined and that was the only acceptable option back then-. Of course, here, it's far from little; it represents a slave working there, the size fits the importance of the role in the whole sugar industry back then. The sphinx had an important role as guardian in the Egyptian sculpture, and this position was picked because it allowed the artist to show someone fierce and firmly seated...